SEARCH RESULT

The world premiere releases of LONELY PLACE and BROTHER’S KEEPER, along with a new remastered and expanded presentation of one of the composer’s favorite scores, INCOGNITO. Limited 500 copies.

Reissue. Symphony Orchestra, Recorded in Seattle

Reissue. Symphony Orchestra, Recorded in Seattle

Release Date: 2016.6.17

The soundtrack features a score by David Torn, along with music by indie pop bands. HQCD format.

The heart-pumping score is from action veteran John Ottman (Superman Returns, Fantastic Four, Valkyrie).

John Ottman’s soaring and adventurous score was recorded with some of London’s finest musicians.

Composer John Ottman (who also scored director Jaume Collet-Serra’s House Of Wax) contributes a chilling score.

2nd film of FANTASTIC FOUR. Music by John Ottman!

John Ottman's suspence score.

The soundtrack features a score by David Torn, along with music by indie pop bands.

The epic score for FANTASTIC FOUR is by X-MEN 2 composer John Ottman.

The exciting score for THE INVASION was composed by John Ottman.

Composer John Ottman (who also scored director Jaume Collet-Serra’s House Of Wax) contributes a chilling score.

John Ottman’s soaring and adventurous score was recorded with some of London’s finest musicians.

The heart-pumping score is from action veteran John Ottman (Superman Returns, Fantastic Four, Valkyrie).

2nd film of FANTASTIC FOUR. Music by John Ottman!

Complete Original Soundtrack to the full-CG animation of Osamu Tezuka's ASTRO BOY. Contains 36 tracks total. CD-R.

Complete Original Soundtrack to the FANTASTIC 4: RISE OF THE SILVER SURFER. Contains 50 tracks total. CD-R.

The complete original soundtrack music by John Ottman! Including 58 tracks total. CD-R

The complete original soundtrack from X-MEN: DAYS OF FUTURE PAST. Contains 43 mins total. CD-R.

The crackerjack score to the critically praised HBO Original Film, starring Ray Liotta.

John Ottman fashions a positively dynamic orchestral score that harnesses all of this remarkable film’s suspense, humor and romance.

While Kamen used lots of techno for X-MEN 1, Ottman goes to traditional orchestra and lots of chorus.